Year: 2019

Today, I ventured to the Huntington Library, only to be confronted by an enormous red modernist metal sculpture—an eyesore that immediately assaulted my sensibilities. One can scarcely fathom the logistical gymnastics involved in its creation and installation. The grounds remain marred by ceaseless construction, a Sisyphean endeavor that appears destined to persist indefinitely.

My pilgrimage was prompted by an exhibition of the works of Celia Paul, a British painter previously relegated to the periphery of my artistic awareness. Paul’s oeuvre is an introspective exploration of self-portraits, familial bonds, and the relentless, indifferent sea. Her mother’s death seems to haunt these canvases, with Paul claiming to sense her mother’s spirit in the ocean’s depths. Her art is suffused with an ineffable melancholy, a somberness that permeates each brushstroke, evoking an almost palpable sense of sorrow and introspection.