“River of Grass” is a film that explores the theme of insignificance in the grand scheme of the universe. Set in the Florida Everglades, the film follows Cozy, a bored housewife, and Lee, a gregarious stranger she meets in a bar.
After a series of events, the pair become convinced that they have killed a man and go on the run. However, their actions feel inconsequential against the backdrop of the vast and unyielding natural world. The film’s ending shot of freeway gridlock heading off into the distance further reinforces this theme. The characters in the film exaggerate their own importance, but Reichardt ultimately suggests that life existed long before they came along and will continue long after their drama has ended.
Director Kelly Reichardt is known for using natural space in her films to convey the idea that the world goes on regardless of human activity. This is evident in “River of Grass” through the use of the Everglades as a setting, as well as the film’s ending shot of freeway gridlock heading off into the distance. The characters in the film exaggerate their own importance. Still, Reichardt’s film ultimately suggests that life existed long before they came along and will continue long after their drama has ended.
While the meandering apathy of “River of Grass” can be a challenge for viewers, Reichardt’s wit and skill as a filmmaker make it worth a watch. The film may be a bit too ethereal for some, but this could very well be the point as it suggests that our individual experiences and struggles are insignificant in the grand scheme of things. If you’re a fan of Reichardt’s later work or enjoy films that ponder the larger questions of existence, “River of Grass” is definitely worth checking out.