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Category: Authors

RIP: Harry Crews

Novelist Harry Crews has died from complications from neuropathy. Crews, who died at his home in Gainesville, Florida, was 76. “He had been very ill,” his ex-wife, Sally Crews, tells the Associated Press in this report. “In a way it was kind of a blessing. He was in a lot of pain.”

The AP report describes Crews as follows: “A wild man and drunken sage in the tradition of Charles Bukowski and Hunter Thompson, he wrote bloodied, freakish stories drawn directly from his own experiences, including boxing and karate. Crews sported a tattoo with a line from an E.E. Cummings poem, ‘How do you like your blue-eyed boy Mister Death,’ on his right bicep under the tattoo of a skull.” According to a brief earlier write-up in a New York Times obituary: “Though his books captivated many reviewers (they bewildered others and repelled still others), they attracted a cadre of readers so fiercely devoted that the phrase “cult following” seems inadequate to describe their level of ardor.”

Crews was the son of sharecroppers in Bacon County, Georgia. Growing up was rough, and when his father died when Crews was two, the boy was marked for life. As the AP report details,

His childhood alone tested the imagination. His mother married his father’s brother, a violent drunk. Crews suffered from infantile paralysis and once fell into a vat of boiling water, confining him to his bed for months. Still, he managed to become the first member of his family to graduate from high school, after which he joined the Marine Corps. In the book “Getting Naked with Harry Crews,” he explained to interviewer Hank Nuwer that his military service was crucial.

“If I hadn’t gone in the Marine Corps, I wouldn’t be a professor in the university. I’d be in the state prison because I was a bad actor and a bad boy.”

After a stint in the Marines, Crews began writing, and eventually his publications earned him a spot on the faculty of the University of Florida, where he taught from 1968 through 1997. As recalled by his students, he was mesmerizing on the topic of writing.

He told one interviewer what he told his students; “If you’re gonna write, for God in heaven’s sake, try to get naked. Try to write the truth. Try to get underneath all the sham, all the excuses, all the lies that you’ve been told.”

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Nathaniel Hawthorne’s “Rappaccini’s Daughter”

This Coyote Canyon Press anthology contains Nathaniel Hawthorne’s “Rappaccini’s Daughter”

Nathaniel Hawthorne’s “Rappaccini’s Daughter” is a rich and darkly morbid story that showcases Hawthorne’s art at its most sensuous and florid. It is the story of a beautiful young woman in a poisonous garden, and its gorgeous and lethal beauty are wonderfully done. The story is a sinister one in that the growing signs of the deadliness of Beatrice, and inevitably of Giovanni himself, accumulate with a horrid insistence.

Beatrice’s father is Professor Rappaccini of Padua, who raised her from childhood among deadly plants and flowers of his own creation in order to endow her with “marvellous gifts against which no power or strength could avail an enemy.” Giovanni, a young student, unaware of the secrets of the garden, is deeply attracted to her extraordinary beauty and her intimate tending to the beautiful plants. Gradually he becomes aware of the deadliness of the garden, and despite the warnings of Rappaccini’s rival, Baglioni, Giovanni continues to pursue her until he eventually takes on her deadly power. When he finally realizes the extent of his contamination, he urges her to drink with him the antidote prepared by Baglioni. She drinks it first, and “as poison had been life, so the powerful antidote was death.” The story ends with Baglioni’s horrified yet triumphant cry: “ ‘Rappaccini! Rappaccini! and is this the upshot of your experiment?’ ”

Trailer for the German musical “Rappaccini’s Daughter”

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Genesis of “The Dead” by James Joyce


For “The Dead” James Joyce drew upon an incident in Galway in 1903. There a young man named Michael (“Sonny”) Bodkin was courting Nora Barnacle (Joyce’s eventual wife), but he had tuberculosis and was soon bedridden. When Nora resolved to leave Galway for Dublin, the boy stole out of his sickbed and in the rain under an apple tree sang to Nora . Later, in Dublin, Nora learned that Bodkin was dead. When Nora first met Joyce, as she told her sister, what attracted her to him was his resemblance to “Sonny” Bodkin.

Apparently, Joyce was jealous of the dead suitor and grilled Nora ceaselessly about him. What bothered him was that her heart was still moved by the recollection of the boy’s love for her. This notion of a man in rivalry with a dead boy lying in a cemetery appears to be the genesis of Joyce’s most famous story.

Besides basing his story only on this incident, Joyce borrowed heavily from the ending of a book which is hardly read anymore, George Moore’s Vain Fortune. In that book a young bridal couple learn that a young woman whom the groom jilted has committed suicide. Both are tormented, and the bride asks her husband not to kiss her. She falls off to sleep, their marriage unconsummated, and the husband stares out the window at “the melancholy greyness of the dawn.” In that instant he realizes that his life is a failure and that his wife lacks the passion of the girl who killed herself. He does, however, achieve a sort of redemption through his agony: a resolution to try to make his wife happy. This is clearly the situation from which Joyce adroitly lifted: the dead lover who comes between the living lovers, the husband’s realization of his failure, his acceptance of mediocrity, the resolve to be at least sympathetic — it all came from this other book. Nonetheless, Joyce rarefies the story by having it arise not from the suicide of a former love but from the simple memory of the young love itself.

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