posted Nov 11, 2025 by Tom Fasano
posted Jan 22, 2025 by Tom Fasano
Bob Dylan’s Draft of Lyrics, Once Tossed in Trash, Sells for $500,000. Typed and hand corrected, these analog artifacts offer an insight into the creative process that digital means cannot. The article says Dylan tossed the lyrics in the trash. Apparently, he must’ve kept a copy.
posted Oct 21, 2024 by Tom Fasano
San Francisco’s Angry Poet
One of my favorite poets, August Kleinzahler, uses a Smith-Corona typewriter exclusively, and sometimes while sitting on the toilet. In the photo, the bad boy of American poetry has a drink at one of his hangouts, the Zam Zam bar in San Francisco’s Haight-Ashbury neighborhood.
posted Oct 25, 2021 by Tom Fasano
Luke Kennard’s Notes on the Sonnets, a collection of prose poems responding to Shakespeare’s sonnets, won the Forward prize for best collection, beating other nominees in a competition judged by poet Shivanee Ramlochan.
Kennard said he started writing Sonnet 66 at a party and then got hooked on writing reactions to all 154 Sonnets.
Caleb Femi won the prize for best first collection for his work Poor, which explores the lives and times of a Peckham estate.
Femi’s debut book grabbed the judges from the first page. Nicole Sealey won the Forward prize for best single poem for Pages 22-29, an excerpt from The Ferguson Report: An Erasure.
Ramlochan praised the poem, saying that it shows there are poems embedded in all sorts of documents, and the jury said the poems showed how the poetic imagination can be bold, limitless, and reach deep into our lives.
posted Feb 2, 2021 by Tom Fasano

The Lincoln Journal Star reports that Nebraska poet Matt Mason won national attention for his poem “The Start,” which appeared in the New York Times. He drafted the poem three years ago when he wasn’t comfortable with the political climate, later realizing the poem’s relevance last month as an angry mob swept the Capitol. The phrase “probably started” conveys that small remarks or acts of hatred can lead to violent behavior.
“It’s seemed like we were going more and more with the (hateful) language and never hitting the point of saying, ‘This is too far,’” he told the Lincoln Journal Star. “And if that point never gets hit, the violence is inevitable.”
It probably started
in a whisper, a murmur,
a low tone hardly caught by the papers,
a sticker, a poster,
a brick wall with slogans in fresh black paint
Mason hopes to challenge people’s perception of the partisan environment. As state Poet Laureate, he has organized poetry events in every county.
Update:
posted Apr 9, 2020 by Tom Fasano

The older I get the more I look like the poet Robert Lowell. If I could write poetry like Lowell, I’d be set.
posted Feb 26, 2020 by Tom Fasano
posted Feb 15, 2016 by Tom Fasano
Billie Nardozzi writes poems every week for the Pittsburgh Post-Gazette. It’s for love, not money: He pays for the privilege of getting them into print.
posted Mar 30, 2013 by Tom Fasano
Claremont Graduate University is handing out a couple of huge poetry prizes here in Claremont, California.
Earlier this month in a press release, CGU announced Marianne Boruch won the $100,000 Kingsley Tufts Poetry Award for her book The Book of Hours. The prize, given to a mid-career poet, is one of the largest cash prizes a poet can win in the United States. Boruch teaches creative writing at Purdue University and is also involved in the low-residency Program for Writers at Warren Wilson College.
Heidy Steidlmayer of Vacaville, California, won the $10,000 Kate Tufts Discovery Award for her book Fowling Piece. The annual award is given for a first book of poems. Steidlmayer’s poems have appeared in Poetry, TriQuarterly, Ploughshares, and in other prestigious poetry journals.
“We are delighted to honor these poets and celebrate their achievements,” Wendy Martin is quoted as saying. Martin, who is vice provost at Claremont Graduate University and director of the Tufts Poetry Awards program, goes on to say, “These Awards will help them gain wider recognition and will sustain their continuing commitment to writing outstanding poetry.”
The press release describes The Kingsley and Kate Tufts Poetry Awards as having been established in 1993 at Claremont Graduate University by Kate Tufts to memorialize her husband, a Los Angeles shipyard executive who had a passion for writing poetry. The goal of the award is recognize a poet who is no longer a beginner but is very much in mid-career.
A ceremony will be held at Garrison Theater (231 E. 10th Street in Claremont) on Thursday, April 18.
posted Jan 21, 2013 by Tom Fasano
The following poem was delivered by inauguration poet Richard Blanco at President Obama’s second inaugural today. The text of the poem was provided by the Presidential Inaugural Committee.
“One Today”
One sun rose on us today, kindled over our shores,
peeking over the Smokies, greeting the faces
of the Great Lakes, spreading a simple truth
across the Great Plains, then charging across the Rockies.
One light, waking up rooftops, under each one, a story
told by our silent gestures moving behind windows.
My face, your face, millions of faces in morning’s mirrors,
each one yawning to life, crescendoing into our day:
pencil-yellow school buses, the rhythm of traffic lights,
fruit stands: apples, limes, and oranges arrayed like rainbows
begging our praise. Silver trucks heavy with oil or paper — bricks or milk, teeming over highways alongside us,
on our way to clean tables, read ledgers, or save lives — to teach geometry, or ring up groceries as my mother did
for twenty years, so I could write this poem.
All of us as vital as the one light we move through,
the same light on blackboards with lessons for the day:
equations to solve, history to question, or atoms imagined,
the “I have a dream” we keep dreaming,
or the impossible vocabulary of sorrow that won’t explain
the empty desks of twenty children marked absent
today, and forever. Many prayers, but one light
breathing color into stained glass windows,
life into the faces of bronze statues, warmth
onto the steps of our museums and park benches
as mothers watch children slide into the day.
One ground. Our ground, rooting us to every stalk
of corn, every head of wheat sown by sweat
and hands, hands gleaning coal or planting windmills
in deserts and hilltops that keep us warm, hands
digging trenches, routing pipes and cables, hands
as worn as my father’s cutting sugarcane
so my brother and I could have books and shoes.
The dust of farms and deserts, cities and plains
mingled by one wind — our breath. Breathe. Hear it
through the day’s gorgeous din of honking cabs,
buses launching down avenues, the symphony
of footsteps, guitars, and screeching subways,
the unexpected song bird on your clothes line.
Hear: squeaky playground swings, trains whistling,
or whispers across cafe tables, Hear: the doors we open
for each other all day, saying: hello, shalom,
buon giorno, howdy, namaste, or buenos días
in the language my mother taught me — in every language
spoken into one wind carrying our lives
without prejudice, as these words break from my lips.
One sky: since the Appalachians and Sierras claimed
their majesty, and the Mississippi and Colorado worked
their way to the sea. Thank the work of our hands:
weaving steel into bridges, finishing one more report
for the boss on time, stitching another wound
or uniform, the first brush stroke on a portrait,
or the last floor on the Freedom Tower
jutting into a sky that yields to our resilience.
One sky, toward which we sometimes lift our eyes
tired from work: some days guessing at the weather
of our lives, some days giving thanks for a love
that loves you back, sometimes praising a mother
who knew how to give, or forgiving a father
who couldn’t give what you wanted.
We head home: through the gloss of rain or weight
of snow, or the plum blush of dusk, but always — home,
always under one sky, our sky. And always one moon
like a silent drum tapping on every rooftop
and every window, of one country — all of us —
facing the stars
hope — a new constellation
waiting for us to map it,
waiting for us to name it — together