David Hockney’s double portrait “Henry Geldzahler and Christopher Scott”

David Hockney’s double portrait “Henry Geldzahler and Christopher Scott” (1969) is a striking example of his mastery in capturing personal relationships and individual character through art. This portrait features Henry Geldzahler, the influential New York City-based curator, alongside his partner, painter Christopher Scott. The painting is celebrated for its intimate portrayal and its significant role in chronicling the lives of those within Hockney’s social circle during a transformative period in art and society.

The composition of the painting is both casual and deeply telling. Geldzahler is depicted seated on a lavish, red sofa, engrossed in what appears to be a thoughtful, perhaps even critical, examination of a book or a catalog. His posture and expression convey a sense of intellectual engagement and perhaps a touch of weariness. In contrast, Scott stands at the periphery of the canvas, somewhat distanced from Geldzahler, looking out towards the viewer with an expression that mixes contemplation with a hint of detachment. This spatial and emotional gap between the two figures subtly hints at the dynamics of their relationship.

Hockney’s use of color in this portrait is particularly noteworthy. The vibrant reds of the sofa and the muted background both highlight and contrast the figures, drawing attention to their expressions and the psychological space between them. His style, with clean, precise lines and a clarity of form, enhances the visual impact of the portrait, making the personal narrative strikingly vivid.

This double portrait not only documents a personal moment between Geldzahler and Scott but also serves as a reflection on the era it represents—an era characterized by a burgeoning openness in discussing and depicting homosexual relationships in art. Hockney’s work, through its honest and unapologetic portrayal of his friends and their lives, breaks down barriers and invites a deeper understanding of intimacy and identity. This painting remains a powerful testament to Hockney’s ability to weave complex human emotions into the fabric of visual art.

Three Soldiers by John Dos Passos

Hailed as a masterpiece on its original publication in 1921, Three Soldiers is a gripping exploration of fear and ambition, conformity and rebellion, desertion and violence.

Part of the generation that produced Ernest Hemingway and Ford Madox Ford, John Dos Passos wrote one of the most grimly honest portraits of World War I. Three Soldiers portrays the lives of a trio of army privates: Fuselli, an Italian American store clerk from San Francisco; Chrisfield, a farm boy from Indiana; and Andrews, a musically gifted Harvard graduate from New York. Hailed as a masterpiece on its original publication in 1921, the novel is a gripping exploration of fear and ambition, conformity and rebellion, desertion and violence, and the brutal and dehumanizing effects of a regimented war machine on ordinary soldiers.

In Three Soldiers, he introduces readers to a Harvard aesthete who joins the army out of idealism and his two buddies. Their illusions crumble under the tyranny, red tape, and boredom of the military one by one. The soldiers’ reactions range from bitterness to rage, and—for one—murder, in this vivid portrayal of the human spirit caught in the grip of war.

A Writer’s Room

Thomas Fasano is an old-fashioned guy, and stepping into his home office is like stepping back in time, perhaps like visiting an old C.P.A. who still uses ledgers and adding machines. The office is in the back of the home where he has lived with his wife, Sandy, for the past eleven years. Among his most cherished items are a wooden desk (he built it himself from his own design), a wooden file cabinet, an antique typewriter table with an IBM Selectric II typewriter sitting atop it, several wooden bookcases (he built these too), and a huge corkboard on which he outlines his writing by pinning and arranging index cards. Here Fasano writes the old-fashioned way: in longhand with a fountain pen, on legal pads. Later, he types up his drafts on the IBM. The first few drafts of his writing never see a computer.

Years ago I realized I needed something more, that I had something more to give. That’s why I started writing. After all, I teach writing. Shouldn’t I write too?
—Thomas Fasano

We at Coyote Canyon Press will soon be publishing a fairly comprehensive grammar book by Mr. Fasano, English Grammar Review: a Handbook for Writers. “It’s a look at the traditional model of grammar,” says Fasano on a recent Sunday afternoon. “I’m a teacher, and most of the teachers I know who teach grammar teach the traditional model, which isn’t a modern grammar at all, that’s for sure, but it’s what everyone teaches. So I thought I’d write a book that explored this antiquated approach and codified it in some useful way.”

[perfectpullquote align=”left” bordertop=”” class=”” cite=”” link=”” color=””]”I teach writing. Shouldn’t I write too?”[/perfectpullquote]

When asked about the book’s intended audience, “Writers,” he says, picking up one of his many fountain pens and turning up the volume on a Beethoven piano sonata. “Just what the subtitle says — “I teach writing. Shouldn’t I write too? — especially student writers. They’re the ones who will benefit most from a handbook like this. I wish I had a book like it when I was a student. It would’ve clarified several aspects of language for me. You must be able to understand the shape of all the pieces in order to fit them together.”

As for future projects, he doesn’t like to talk too much about them for fear of jinxing them. “But you can bet,” he says, “what I’m working on now is a book aimed at students. As you know, I’m a teacher, and I think a lot about my job and how to reach as many students as possible. It’s too easy to get locked into the same old classroom, teaching the some old classes, dealing with the same thing day in and day out. Years ago I realized I needed something more, that I had something more to give. That’s why I started writing. After all, I teach writing. Shouldn’t I write too?”

The French love their bookstores

In the 1998 romantic comedy You’ve Got Mail, Meg Ryan stars as an independent bookseller whose livelihood is threatened by a behemoth bookstore chain owned by Tom Hanks.

Thats was fifteen years ago. Today, book selling is a different game, the pendulum having swung so much to the other side that it’s the few chains left who are fighting for survival against Internet book sellers and e-books.

In France, where bookstores are a common site along Paris streets, things are different than in the U.S., where bookstores are vanishing at a fast clip as the popularity of e-books increases. But in France e-book sales don’t threaten book sales, where less than two percent of book sales are e-books. The biggest threat to small booksellers in France comes from Amazon. And for now, small book shops are surviving quite well, selling books, not gifts.

NPR recently ran a segment about a French law that would go a long way toward ensuring the survival of bookstores. The French government has played a big role in fostering the bookstore-friendly environment and lately has accused Amazon of attempting to drive down the price of physical books, the opposite of what’s been happening in the States.

This month France’s lower house passed a bill that would prohibit Amazon from offering a 5 percent discount on books plus free delivery. Limiting discounts on books is one of the ways France is trying to ensure the survival of its independent booksellers. The French culture minister has also accused Amazon of spending several billion dollars on free shipping worldwide in order to gain a competitive edge.

Rediscovered novel by Hermann Hesse, In the Old Sun, published by Coyote Canyon Press

One of Herman Hesse’s earliest novels, In the Old Sun (In der alten Sonne) was completed in 1904. The story is of novella length and comes long before the novels that were to make Hesse famous in the decades after World War II.

In his early years as a writer, Hesse turned memories of his childhood home of Cawl—called “Gerbersau,” after a favorite fishing spot on the Nagold River—into a steady flow of Novellen, which kept his coffers replenished; and the ranks of his reading public kept growing. “In der alten Sonne,” one of these recollective tales, was first published in Hesse’s Nachbarn (1908), a collection of five works of fiction about the natives of his birthplace.

The novel was first published in English in 1914 in Volume XIX of The German Classics: Masterpieces of German Literature by the German Publication Society. The twenty illustrated volumes in the series were edited by Kuno Francke. The publishing house, which was created specifically for this series, went bankrupt soon after the German U-boat sinking of the British ocean liner Lusitania in 1915. One outcome of the Great War was that America’s taste for German literature and culture dissipated overnight.

The translation by A[lexis] I[renée] du P[ont] Coleman is fairly modern. However, the text contains one slight error that merits correcting: the reference to one of the main characters, Heller, as a “sailmaker” is inaccurate; in the original German he is referred to as a Seiler, a rope maker. In addition to this correction, antiquated punctuation has been silently modernized.

Coyote Canyon Press is proud to bring back into print this “lost novel” by Hermann Hesse.

Book cover designers at Random House

The Inside Random House series has released another video. This one gives viewers a behind-the-scenes look at the publisher’s offices as book designers explain their creative processes and the experience of creating covers for some of the world’s best-known authors. What’s great about this video is that we get to see some of the best book cover designers in the business, people like Chip Kidd and Peter Mendelsund of Knopf, Robbin Schiff of Random House, and Marysarah Quinn and Christopher Brand of Crown. Chip Kidd at one point picks up a manuscript and stresses the importance of a close reading of the text in order to understand how to approach its design. Aspiring designers can learn a lesson from the cover outtakes featured in the video, such as the multiple attempts required for The Dinner by Herman Koch; All That Is by James Salter; Salt, Sugar, Fat by Michael Moss; and Love, Dishonor, Marry, Die, Cherish, Perish by David Rakoff. The video is not only insightful but entertaining too.

Stephen King’s print-only book is now a pirated ebook

Stephen King’s latest novel, Joyland, was supposed to be published in a print-only edition by Hard Case Crime. The move was roundly applauded because it demonstrated some real faith in traditional print publishing. It was also a savvy business decision driving sales sky-high.

But as soon as it was released in paper, the book popped up online as a pirated ebook. In response, Hard Case Crime publisher Charles Ardai had a few things to say about it in an interview with Jason Boog at AppNewser:

“We’ve seen dozens of websites over the past year purporting to offer pirated downloadable copies of JOYLAND, and so far they’ve all been frauds – if you try to download the file, you get malware or a virus instead. But inevitably the book will eventually be pirated for real, just as every best-selling book and popular movie or TV show or piece of music is. As a publisher, you try to prevent it or to stamp it out when you discover it, but it’s like the “war on drugs” – good luck. Seize a boatload of heroin, and what does it get you? There are more boats, there’s more heroin. . . . In the end you have to rely on the good behavior of the vast majority of the audience – I see no reason to think that pirates represent more than a small fraction of all consumers. That doesn’t mean we don’t care about piracy – we do. But it’s just one of the many punches you have to learn to roll with in the rough-and-tumble world of modern publishing.”

It’s hard to see though how some pirated copies have actually slowed Joyland‘s meteoric rise up the bestseller charts. The book is currently the number one selling book on Amazon and has been in the Amazon Best Sellers Top 100 for the last two months.

Of course this feat is not likely to be replicated by many other writers. As everyone in the publishing business knows, people buy authors, not books. And the King brand name, along with a splashy publicity campaign, created a momentum guaranteeing massive sales. I don’t think King is losing sleep over these pirated copies, unless he’s thinking of using the idea in yet another novel.

Amazon hiring in Southern California

The opening of the Amazon facility at the former Norton Air Force Base has proven to be a boon for the city of San Bernardino, which is reeling from a recent bankruptcy filing and workforce layoffs.

The facility, which was completed Oct. 1, handles shipments of products purchased online. City leaders hope that the tax on sales will help turn the city around since California law allows Amazon to designate which city is a “point of sale” for sales tax purposes, thus allowing San Bernardino to pocket 1 cent on the dollar for all sales processed through the center.

The wages are also a big plus, averaging about 30 percent higher than most traditional retail work. Those interested in working for Amazon, can apply online.

Winners of 2013 Kingsley and Kate Tufts Poetry Awards

Claremont Graduate University is handing out a couple of huge poetry prizes here in Claremont, California.

Earlier this month in a press release, CGU announced Marianne Boruch won the $100,000 Kingsley Tufts Poetry Award for her book The Book of Hours. The prize, given to a mid-career poet, is one of the largest cash prizes a poet can win in the United States. Boruch teaches creative writing at Purdue University and is also involved in the low-residency Program for Writers at Warren Wilson College.

Heidy Steidlmayer of Vacaville, California, won the $10,000 Kate Tufts Discovery Award for her book Fowling Piece. The annual award is given for a first book of poems. Steidlmayer’s poems have appeared in Poetry, TriQuarterly, Ploughshares, and in other prestigious poetry journals.

“We are delighted to honor these poets and celebrate their achievements,” Wendy Martin is quoted as saying. Martin, who is vice provost at Claremont Graduate University and director of the Tufts Poetry Awards program, goes on to say, “These Awards will help them gain wider recognition and will sustain their continuing commitment to writing outstanding poetry.”

The press release describes The Kingsley and Kate Tufts Poetry Awards as having been established in 1993 at Claremont Graduate University by Kate Tufts to memorialize her husband, a Los Angeles shipyard executive who had a passion for writing poetry. The goal of the award is recognize a poet who is no longer a beginner but is very much in mid-career.

A ceremony will be held at Garrison Theater (231 E. 10th Street in Claremont) on Thursday, April 18.

Richard Blanco’s inaugural poem ‘One Today’

The following poem was delivered by inauguration poet Richard Blanco at President Obama’s second inaugural today. The text of the poem was provided by the Presidential Inaugural Committee.

“One Today”

One sun rose on us today, kindled over our shores,
peeking over the Smokies, greeting the faces
of the Great Lakes, spreading a simple truth
across the Great Plains, then charging across the Rockies.
One light, waking up rooftops, under each one, a story
told by our silent gestures moving behind windows.

My face, your face, millions of faces in morning’s mirrors,
each one yawning to life, crescendoing into our day:
pencil-yellow school buses, the rhythm of traffic lights,
fruit stands: apples, limes, and oranges arrayed like rainbows
begging our praise. Silver trucks heavy with oil or paper — bricks or milk, teeming over highways alongside us,
on our way to clean tables, read ledgers, or save lives — to teach geometry, or ring up groceries as my mother did
for twenty years, so I could write this poem.

All of us as vital as the one light we move through,
the same light on blackboards with lessons for the day:
equations to solve, history to question, or atoms imagined,
the “I have a dream” we keep dreaming,
or the impossible vocabulary of sorrow that won’t explain
the empty desks of twenty children marked absent
today, and forever. Many prayers, but one light
breathing color into stained glass windows,
life into the faces of bronze statues, warmth
onto the steps of our museums and park benches
as mothers watch children slide into the day.

One ground. Our ground, rooting us to every stalk
of corn, every head of wheat sown by sweat
and hands, hands gleaning coal or planting windmills
in deserts and hilltops that keep us warm, hands
digging trenches, routing pipes and cables, hands
as worn as my father’s cutting sugarcane
so my brother and I could have books and shoes.

The dust of farms and deserts, cities and plains
mingled by one wind — our breath. Breathe. Hear it
through the day’s gorgeous din of honking cabs,
buses launching down avenues, the symphony
of footsteps, guitars, and screeching subways,
the unexpected song bird on your clothes line.

Hear: squeaky playground swings, trains whistling,
or whispers across cafe tables, Hear: the doors we open
for each other all day, saying: hello, shalom,
buon giorno, howdy, namaste, or buenos días
in the language my mother taught me — in every language
spoken into one wind carrying our lives
without prejudice, as these words break from my lips.

One sky: since the Appalachians and Sierras claimed
their majesty, and the Mississippi and Colorado worked
their way to the sea. Thank the work of our hands:
weaving steel into bridges, finishing one more report
for the boss on time, stitching another wound
or uniform, the first brush stroke on a portrait,
or the last floor on the Freedom Tower
jutting into a sky that yields to our resilience.

One sky, toward which we sometimes lift our eyes
tired from work: some days guessing at the weather
of our lives, some days giving thanks for a love
that loves you back, sometimes praising a mother
who knew how to give, or forgiving a father
who couldn’t give what you wanted.

We head home: through the gloss of rain or weight
of snow, or the plum blush of dusk, but always — home,
always under one sky, our sky. And always one moon
like a silent drum tapping on every rooftop
and every window, of one country — all of us —
facing the stars
hope — a new constellation
waiting for us to map it,
waiting for us to name it — together

GERTRUDE publishes as part of Hermann Hesse Project

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Coyote Canyon Press just published the first of two novels by Hermann Hesse, an endeavor we’re calling our Hermann Hesse Project. Just published is Gertrude. The text for this edition is taken from Adele Lewisohn’s translation of 1915, Gertrude and I, published in New York by The International Monthly.

Front cover of Gertrude

Gertrude was the first novel by Hermann Hesse published in English and not part of an anthology. The novel deals with the destructive nature of love, its central theme the narrator’s enduring and hopeless passion for Gertrude, whom he meets through their mutual love of music. “Music was important to Hesse,” says Thomas Fasano, who wrote the Introduction to the book. “As a child he loved to listen to the church organ, learned to play the violin, and developed a passion for Chopin. His interest in music and painting and his lifelong association with musicians and painters greatly informed his writing.”

Fasano writes in the Introduction:

Hesse’s pre-World-War-I heroes are esthetes who live only in their own world of dreams, who shrink before bold action. Temperamental artists, they are paralyzed by their chronic indecision and consumed by loneliness—timid souls to whom the art of life and the art of love are forever unobtainable. They ask little of life and expect much. Such is the nature of the child of nature, Peter Camenzind, and the timorous composer, Kuhn. Such too was Hermann Hesse.

The second book in the Hermann Hesse Project will be a rediscovery of sorts: In The Old Sun, a novel published in English over one hundred years ago and essentially lost since then — until now. We’re planning a beautiful edition of the novel both in hardback and Kindle. In The Old Sun was actually Hesse’s first book published in English in the United States. It was part of an anthology called German Classics and has never been published as an individual book until now.

 

Poet Richard Blanco to read at President Obama’s Inaugural

The Presidential Inaugural Committee has announced that Richard Blanco has been chosen to read a poem at President Obama’s inauguration ceremony on Jan. 21. The choice marks a couple firsts: Blanco will become the first Hispanic and the first gay poet to read at a presidential inauguration. He will also, at 44, be the youngest poet to do so.

In a recent posting on the NPR website, Blanco said, “Even though it’s been a few weeks since I found out, just thinking about my parents and my grandparents and all the struggles they’ve been through, and how, you know, here I am, first-generation Cuban-American, and this great honor that has just come to me, and just feeling that sense of just incredible gratitude and love.”

The New York Times writes that Blanco, a son of Cuban exiles, has felt “a spiritual connection” with Obama from the moment he burst onto the political scene. Like Mr. Obama, the Times reports, “Blanco has been on a quest for personal identity through the written word. He said his affinity for Mr. Obama springs from his own feeling of straddling different worlds; he is Latino and gay (and worked as a civil engineer while pursuing poetry). His poems are laden with longing for the sights and smells of the land his parents left behind.”

Hunting Bigfoot in the Wilds of – Florida?

Frank Cerabino has a write-up about my brother today in the The Palm Beach Post. The interview was the result of a cold-call by Mr. Cerabino.



Hunt for Bigfoot yields more exercise than sightings Many of you are probably vowing to start exercising after the holiday season. It happens every year. Gym memberships swell in January. But maybe instead of joining the gym, you should consider hunting for Bigfoot. I thought of this after talking to Tim Fasano, a 56-year-old Tampa, Fla., taxi driver by way of a college philosophy degree.

“I wouldn’t last five minutes on a treadmill,” said the 260-pound cabbie. “But I can spend hours walking around the woods. It’s good for me. I need the exercise.” Fasano walks through Florida swamps, woodlands and forests about three days a week in search of Bigfoot. It’s more than a hobby with him.

He has devoted countless hours to the hunt and posted YouTube videos of suspicious footprints and audio clips of animal howls. His website “Sasquatch evidence.com” makes for enjoyable reading for anybody who has the inclination to imagine that the mythical Bigfoot creature lives in Florida. Fasano says it makes perfect sense for Bigfoot to be here. “Florida contains some of the wildest areas of remote, dense jungle and unexplored areas,” he said. And I’m guessing that if Bigfoot doesn’t live in Florida, certainly Bigfoot’s grandparents do.

(Sasquatch Village?) Fasano is used to the skeptics. But he’s too enamored with the quest, which probably has something to do with his philosophy degree. “I was very interested in exploring the universe and finding out why we are here,” he said. “With all the oceans explored, now the great explorers must look inward to find mythical beasts.” Fasano and a small band of enthusiasts have created something they call the Florida Bigfoot Organization. “I’ve been doing it four years now,” he said.

“I never thought I would be doing it this long. Every time I think I’m going to quit, I find something.” Like a large fresh footprint in a remote swamp. “I was covered with Off that day because the mosquitoes were so thick. So I couldn’t imagine a person would be barefoot out there. And I didn’t see anybody else,” he said.

His YouTube channel, “Fasano-Tampa,” has hundreds of videos posted, and they’ve already gotten more than 1 million views. The videos typically feature the camouflage-wearing Fasano wandering Florida’s swamps in search of clues with his camera. Some of his videos are shot at night, when creature sounds are heard and Fasano narrates to a black screen with a voice dripping with drama. “I’m putting myself in real danger in the middle of the night,” he explains on one video. “There are critters out here that can eat you.” Fasano is not beyond showcasing his own persona as something that might ultimately be far more fascinating than the theoretical beast he is allegedly looking for.

In one of his videos, he spoofs a popular beer commercial by calling himself “The Most Interesting Bigfoot Man in the World.” He says he’s been in touch with reality TV people in Los Angeles. He’s hopeful. But the field of Bigfoot searchers in America is already pretty crowded. So where does it all end? “I think it’s an ongoing quest,” Fasano said. “I don’t know if there is an endpoint, unless you find a dead body.

Until a dead body comes along, it will never be classified as an animal.” If nothing else, there’s always the exercise.