On the campus of Pomona College, past the Sonntag Greek Theater, is the Frank P. Brackett Observatory, presented in 1908 to Pomona College by Llewellyn Bixby, class of ’01.
The city and colleges had warned about movie crews in the Village, and on Monday, they set up at the Village Grille on Second Street and Yale Avenue, causing traffic issues along College Avenue with equipment trucks parked near Pomona College’s Marston Quad. The workers were tight-lipped, but it’s known to be for an upcoming Netflix production.
Sandy’s best friend in the world, Ann, paid us a visit today. It’s been several years, and we enjoyed catching up with our lives.
Paul Auster, a celebrated American author known for his love of typewriters, has died at 77. He gained fame for his “New York Trilogy” and was a notable figure in postmodernist fiction.
Born in Newark, New Jersey, in 1947, Auster’s writing career began at the age of eight when he missed out on getting an autograph from his baseball hero, Willie Mays — who was outside the players’ locker room after a game — to not having a pencil. From then on, he always carried a pencil with him, and his writing journey began. After graduating from Columbia University in 1970, he moved to Paris, where he began translating French literature and publishing his own work in American journals.
Auster’s big break came in the mid-1980s with the publication of “”City of Glass,” the first novel in his “New York Trilogy.” This trilogy cemented his reputation as a master of postmodernism, as he blended detective fiction with existential questions about identity, space, language, and literature. The trilogy brought him worldwide acclaim and established him as one of the signature New York writers of his generation.
A major theme in Auster’s work was the role of chance and coincidence. This fascination can be traced back to a life-changing event he witnessed at the age of 14 while hiking during a summer camp. He saw a boy standing just inches away get struck by lightning and die instantly. This experience profoundly impacted Auster, and it became a recurring motif in his fiction.
While Auster was born in New Jersey, he became synonymous with Brooklyn, where he settled in 1980. He was seen as a guardian of the borough’s rich literary past and an inspiration to a new generation of novelists who flocked there. His works often used New York as a backdrop, with Brooklyn featuring prominently and his characters grappling with life’s randomness and chance occurrences.
Auster’s body of work includes over 30 books, ranging from novels to memoirs, poetry, and screenplays. His notable works include “Moon Palace,” “The Music of Chance,” “The Book of Illusions,” “Leviathan,” “4 3 2 1,” and, of course, the “New York Trilogy.” His writing imposed a sense of irreality, inviting readers into a world where the lines between reality and fiction blurred.
Paul Auster’s passing is a reminder of the profound impact writers can have on our lives. His words will continue to resonate with readers for generations to come, and his influence on contemporary literature will forever be felt. As he once said, “If there’s a pencil in your pocket, there’s a good chance that one day you’ll feel tempted to start using it.”
"Two Years at Sea" is a captivating documentary by British filmmaker Ben Rivers that delves into the life of Jake Williams, a man who has chosen to live in solitude in the Scottish wilderness. Through stunning cinematography and a poetic narrative, Rivers explores the themes of isolation, self-sufficiency, and the human connection to nature. I’ll try to examine how the film portrays solitude and the insights it offers into the human condition.
Exploring Solitude in "Two Years at Sea"
In "Two Years at Sea," Ben Rivers presents a unique perspective on solitude, showcasing the life of Jake Williams, who has embraced a life of isolation in the Scottish wilderness. The film follows Williams as he goes about his daily routines, such as tending to his garden, chopping wood, and exploring the surrounding landscape. Through these seemingly mundane activities, Rivers captures the essence of solitude and the peace that can be found in a life lived apart from society.
The film’s slow pace and minimal dialogue allow the viewer to fully immerse themselves in Williams’ world, experiencing the tranquility and beauty of his surroundings. Rivers’ camera lingers on the details of Williams’ life, from the tools he uses to the food he prepares, creating a sense of intimacy and understanding between the subject and the audience. This approach invites the viewer to contemplate the nature of solitude and the reasons why someone might choose to live in such a way.
Throughout the film, Rivers explores the psychological and emotional aspects of solitude, hinting at the challenges and rewards of a life lived in isolation. While Williams appears content and at peace with his chosen lifestyle, there are moments where the weight of his solitude becomes apparent, such as when he listens to old records or gazes out at the vast landscape before him. These moments serve as a reminder that solitude, while often romanticized, is not without its difficulties and that the human need for connection and companionship is a powerful force.
Ben Rivers’ Poetic Portrayal of Isolation
One of the most striking aspects of "Two Years at Sea" is Ben Rivers’ poetic approach to documenting Jake Williams’ life in isolation. Rather than relying on traditional narrative structures or interviews, Rivers allows the images and sounds of Williams’ world to speak for themselves, creating a meditative and immersive experience for the viewer.
Rivers’ cinematography is breathtaking, capturing the rugged beauty of the Scottish wilderness in rich, textured detail. The film’s visuals are complemented by a sparse, atmospheric soundtrack that incorporates natural sounds, such as the rustling of leaves and the crackling of a fire, further drawing the viewer into Williams’ environment. This poetic approach to filmmaking creates a sense of intimacy and connection between the audience and the subject, allowing for a deeper understanding of the experience of isolation.
Through his poetic portrayal of Williams’ life, Rivers invites the viewer to reflect on the nature of solitude and its place in the human experience. The film’s contemplative tone and unhurried pace encourage introspection, prompting the audience to consider their own relationship to solitude and the role it plays in their lives. By presenting isolation in such a beautiful and nuanced way, Rivers challenges common perceptions of solitude as a purely negative experience, instead suggesting that it can be a source of peace, self-discovery, and connection to the natural world.
"Two Years at Sea" is a remarkable documentary that offers a profound and poetic exploration of solitude and the human experience. Through his sensitive portrayal of Jake Williams’ life in isolation, Ben Rivers invites the viewer to contemplate the nature of solitude and its place in our lives. The film’s stunning visuals, immersive soundscape, and meditative pace create a unique and thought-provoking experience that lingers long after the final frame. "Two Years at Sea" is a testament to the power of documentary filmmaking to illuminate the human condition and challenge our perceptions of the world around us.
Today was Saint Patrick’s Day, and there was a bit of spring in the air. So I picked up my point-and-shoot Canon and went for a stroll in the Village of Claremont.
I’ve been busy working on my next book, a collection of science fiction short stories, while compiling a mixtape for Mr. Ted Munk. In preparation for the fiction manuscript, I printed it out and painstakingly used my comb binding machine to punch holes along the sides of the pages to accommodate the plastic comb binder.
Although it’s a bit of a chore, it’s well worth the effort. It significantly enhances the manuscript’s readability, adding a personal touch that makes the experience of delving into the stories much more intimate and engaging. This hands-on approach not only makes the material more accessible but also reflects my deep commitment to creating a work that fully immerses readers in the thematic and conceptual depths of my narratives.
As for the mixtape, I decided to go with a microcassette, which offers 30 minutes per side. It’s quite a rarity these days, as not many people use them anymore. However, Mr. Ted Munk mentioned in one of his blog posts that he exchanges mixtapes with those who take the time to send one his way.
Intrigued by this idea, I thought I’d try my hand at creating a tape for him. I chose to fill it with a selection of jazz guitar tracks, believing it aligns well with his musical tastes, at least based on the genres he frequently discusses in his blog. I hope he finds the compilation to his liking.
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