Neil Gaiman, the outspoken writer behind previous book adaptations of “Coraline,” “Stardust,” “American Gods,” and “Good Omens,” said that his primary responsibility for his award-winning 1989 comic book series was to “prevent terrible film adaptations.” Since this is the first adaptation of “Sandman” on the big screen, he was successful. To show his confidence in the Netflix series, he is not only a producer but also a writer and co-developer. When the 10-episode first season premieres in August and the Master of Dreams (played by Tom Sturridge) makes his appearance, viewers can judge whether his commitment and protection have paid off.
After being held captive for a century, the Sandman, who shapes our darkest fears and fantasies while we sleep, returns to the fractured dream and waking world. His only option is to traverse the timelines to undo the wrongs he has committed and restore as much order as possible with the help of ancient cosmic and human allies and adversaries. Patton Oswalt portrays Dream’s faithful messenger, Matthew the Raven; Gwendoline Christie the ruler of Hell, Lucifer; and Kirby Howell-Baptiste, Death, Dream’s wise, gentle, and somewhat more reasonable sister. For those already captivated by Gaiman, “The Sandman” must live up to the high expectations associated with his debut. For those unconvinced by “American Gods” and “Good Omens,” the question is whether the fantasy author’s work is fit for television or whether it is better left on paper.